Elizabeth and Hazel

Elizabeth and Hazel: Two Women of Little Rock
by David Margolick
New Haven : Yale University Press, c2011.

In September 1957, Central School in Little Rock, Arkansas, was court ordered to integrate. Nine black students were to attend. One of them, Elizabeth Eckford, walked alone and was turned away by National Guardsmen. During her walk, photographers captured her while white students behind. In particular focus was Hazel Massery, face contorted standing just behind Elizabeth in the picture. This is the story of that photograph and how these two women were forever impacted by that day.

David Margolick gives a much broader picture that the one photograph of that day, beginning with brief explanations of how Hazel and Elizabeth reached that point, and continuing with the story of what happened to the Little Rock Nine after they began at Central. While much of the Civil Rights era was before I was born and reads like history to me, both of these women experienced it and are still living, making the issues of race relations and prejudice all the more present and less historical in feel. It's a powerful story and one that leaves a lot to discuss:

• Should a person be defined by one moment?
• How would you have reacted as a student, either black or white?
• Can major breaches like these ever truly heal?

This one will stick with me for a long time.

Roll of Thunder, Hear My Cry

by Mildred D. Taylor
New York : Scholastic (not sure what year my copy was published - the original is 1976).

Cassie Logan and her brothers Stacey, Christopher-John, and Little Man are growing up in Mississippi. The Logans are a strong family, working hard to make ends meet and pay for the land, which they're fortunate to own since most of their neighbors and friends are sharecroppers. This year will be a trying one for her as she deals with night riders and her father being gone to work on the railroad during the Depression.

I'm having a hard time summarizing this book because it's so much more than the plot. It's about a loving family, and a girl's growing up as she deals with racism and injustice. Cassie's a feisty heroine that you can't help but root for, and the other characters - her mother Mary, her grandmother Big Ma, her father, and more - are vividly portrayed. Though I was often upset by what happened, this is such a rich book that I didn't want it to end.

The audio is masterfully read by Lynne Thigpen, and included comments by the author on the final CD that explain a little about the story's origins.

Sermons on Sunday

Strength to Love
by Martin Luther King, Jr.
New York, Harper & Row [1963]

This collection of Martin Luther King Jr.'s sermons, published in 1963, contains sixteen messages on various topics and an essay entitled "Pilgrimage to Nonviolence," in which Dr. King describes the study and philosophy that informs his convictions. Dr. King preached these sermons "during or after the bus protest in Montgomery, Alabama" (ix), and does indeed often refer to the struggle against segregation going on in that time. Instead of dating the collection, this fact puts them firmly in a specific historic moment while strikingly illustrating many universal, still-relevant truths he espouses.

That this took me a month to read should not be taken as a negative. From the first sermon, I realized that to be fully engaged with Dr. King's wisdom, intellect, and passion, I wanted to take it slowly. Even so, I rather with it were a book I owned, because I rushed at the end when the library due date sneaked up on me. I didn't always agree with Dr. King's theology, but my admiration and respect for him have only grown as a result of reading some of his sermons. I was often challenged personally and a few times the sermon I was reading was directly applicable to something else I was mulling or struggling with at the time. I would recommend those unfamiliar with Dr. King's theology and philosophy read the final essay first, as it clarified some points that I had been wondering about while reading.

And now I'm off to find more books about and by Martin Luther King, Jr. and the Civil Rights movement. This book, the graphic novel I See the Promised Land, and One Crazy Summer have really worked together to pique my interest, though looking at my book stack it may be awhile before I get to it...

When Does Storytelling Overwhelm the Message?

My first graphic novel of the year was a biography:
I see the Promised Land: A Life of Martin Luther King written by Arthur Flowers and illustrated by Manu Chitrakar and Guglielmo Rossi
[Chennai], India : Tara Books c2010.

First, the good: The story blends oral storytelling tradition with the Patua scroll painting of India. If that sounds strange, I will say that the format takes some getting used to but is really an excellent use of the graphic novel format. I have little enough of an art background to comment on the illustrations, but the colors chosen and the use of white-on-black to quote from King's speeches or highlight a point is extremely well done.

The Questionable: The author, in using the African oral tradition, references "the Gods" and Martin Luther King Jr.'s "Fa" (a word I could not find a definition for, but given the context would call it "fate" or "destiny").

At first, I admit, I rather overlooked this. It bothered me, yes, but the narrator was also clear about King's Christian background and his family's long tradition of life in the Baptist ministry. I will also be the first to admit lack of knowledge about the 1960s, Martin Luther King, Jr. himself, and African storytelling tradition, so at first I felt unqualified to comment on this storytelling device. After a few people commented on my initial review on my LibraryThing talk thread, I started to think about this some more.

How much does a format give or take from a story? This is a question in any story in terms of first- or third-person narration, the inclusion of illustrations, or even the font. Is it readable? How wide are the margins? If there are multiple narrators, do each of these get a different font? When you're talking about a graphic novel, format is doubly important because you're including illustrations on every page and if done well, should blend and be as much a part of the story as the words. While I was reading I See the Promised Land, I really liked the inclusion and choice to highlight quotes from Martin Luther King Jr.'s famous speeches, and I thought it was an overall good introductory story to the topic. This overrode some of my reservations about the storytelling device of the (fictional) narrator's references to Gods, plural, and a "Fa," something I agree that Martin Luther King, Jr. would be appalled by. Now that's another thing - this narrator is fictional, is telling us the story of King's life, and could conceivably have a different point of view from King himself. I want to read more widely about King and the Civil Rights movement now to see if my initial impression stands.

I'm not sure I have an easy answer for "how much is too much." I do think that this element was an unnecessary layer that did not fit the topic - that is, a biography of a Christian man. Where would you draw the line?

One Crazy Summer

by Rita Williams-Garcia
narrated by Sisi Aisha Johnson
Prince Frederick, Md. : Recorded Books, p2010.

One summer in the late sixties, Delphine and her sisters, Vonetta and Fern, fly to Oakland to visit their mother, Cecile, who left them when Fern was just a baby. The girls have grown up in Brooklyn with their grandmother and father raising them, and eleven-year-old Delphine had to grow up fast. Cecile doesn't seem to want them now, either, and sends them to a Black Panthers breakfast and summer school every day to get them out of the house so she can work on her poetry.

If you were following the Mock Newbery Awards before the official announcement of the ALA youth media awards, you've probably heard this title bandied about. A lot of people predicted it would win, so I was not surprised to see it on the Newbery Honor list this year. When I needed an audiobook for my commute and saw it available at work, I snatched it up. I wasn't really sure what to expect. At first I was a little disappointed by the lack of action in the story. The tight focus on Delphine, our first person narrator, and her family made this extremely character-centric. Though 1968-69 was a very intense time, the plot of this story is much more subdued and introspective. The number of historical details expertly laced into the story struck me only after I'd finished the book and started looking in to some of the events and people mentioned. We learn naturally, as Delphine mentions things like her uncle being away, or sorting newspapers. The family interactions, especially between Delphine and her sisters, ring true and were made all the richer by Sisi Aisha Johnson. While I'm not sure it's the type of story that many children would choose on their own (and I'm pretty sure I may not have picked it up without prompting), it would make an excellent read-aloud and discussion starter.